The Greek entry is the next to get the ambient treatment. A small looped piece of the opening is used with a couple of delays and reverbs to make this sweet little thing.

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Greece.mp3
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Not much time to play with sound this weekend, but before Niall was up today I did a little bit of sonic noodling with the Spanish eurovision entry. This song was bottom of the pile. I hope this version, although a little shorter, is a little better?

Ambient Compilation 11 will be up tomorrow. Have a great weekend everyone.

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Spain.mp3
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Work and other technical hitches seem to have hogged my last 24 hours. After very little sleep, I decided to play around with the Lithuanian Eurovision entry and this rather short odd drone evolved. I thought of extending it, but I think I need to shift the mood away from the tone of my most recent pieces to a lighter place, if you know what I mean?

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Lithuania.mp3
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After a wonderful weekend, I am alone again for a few days and this always makes me become quite reflective and in search of some quieter place, mentally. For a couple of weeks I have struggled to find a sample from the UK Eurovision entry that worked well.

Early this morning, I found a small snippet that when treated to a reverbed graincloud effect, seemed to perfectly match my mood.

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United Kingdom.mp3
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Not having much time today to be creative I spent my lunch looking for a single sweet sound from the Croatian entry and this was the result. Pure and simple.

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Croatia.mp3
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Made this in my lunch-hour. It’s a rising wall of sound. One small but rich sample from the Azerbaijan Eurovision entry has been layered over and over with tons of reverb, maybe a little too much? ;) I then played it over a few octaves to create this almost stellar-like sound. All done within Ableton Live.

I know this is the second piece today, but it’s too difficult for me not to share it straight away. Hope you enjoy it as much as I did making it?

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Azerbaijan.mp3
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The French entry was difficult as I really had to delve into the overall waveform to find something I liked. In the end, I managed to create a very simple, but sweet electronic lullaby. Its rhythm seems to fit in with the pattern of the rain outside that is falling upon the rooftops. It’s a shame I can’t include that too. I have no decent mic. :(

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France.mp3
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Next for re-working is the Icelandic entry, which I thought was one of the better songs from this year. Once again, I feel I have to push it as far away from its origins as I can. This piece has a strange, almost mechanical/electrical feel to it. Everything you can hear is the gathering of some really high-end harmonics that fizz and crackled when run through some Live effects.

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Iceland.mp3
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Back to the Eurovision series we go then. This time it’s Denmark that gets the treatment. Forgive the rather obvious Beat Repeat effect from Ableton Live, but I like how it worked on this one. Anything is going to sound better than a Danish crooner with a Ronan Keatingesque tone to his voice? At least I hope so!

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Denmark.mp3
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The Estonian entry to Eurovision wasn’t too bad to be honest, but I had to make this sound totally different. So, imagine that it’s a dark winters night in a quiet suburb of Tallinn. You walk the empty streets to your destination to the aural backdrop of this very simple dark and moody piece. It conjours up an eerie sense of isolation.

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Estonia.mp3
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