351 – Long Acre

Another little piece using a new melody, some stretched old pad sounds, backed by a sample from Kakistocracy and some street sounds from Long Acre in London.

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349 – Jetsam

This piece is essentially a working of Flotsam from a couple of years ago. This piece recycles the original to bring them both to a fitting conclusion. It’s a long slow moving, sometimes dreamy, sometimes not so drone with some little bursts soft analogue distortion that I really like. I hope you do too?

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Old hard drives

Whilst rummaging through old hard drives, cd and dvd disks, I stumbled across something that was probably my first ‘proper’ attempt to create a piece of meaningful music by myself. It’s from 2003, not long after I had lost my Mother and was living in Spain feeling that my life at the time was playing itself out, without me having any sense of control.

Hearing it for the first time in years, it’s thrown me straight back to the moment I made it. I know I used an early version of Reason, with a few samples and, oddly for me, my dodgy vocal via a dodgy mic.

I won’t treat it as a finished work… it’s very muffled and missing something… so not bothering with a 96kbps version, but thought I would share it because its heart was (and still is) in the right place.

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343 – Vjezna

My next little piece using the wonderful samples at http://www.svengrahn.pp.se/sounds/sounds.htm includes recordings from the Vjezna HF Transmitter talking to Soyuz and a more modern transmission between the ISS and TsUP. The melody was made using a sample from China 1 broadcasting the tune “The East is Red”, which I have looped and heavily effected.

It’s quite hypnotic and calming… try listening to it on a loop before sleep? You’ll soon be floating in your dreams.

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337 – Reawaken

This simple piece was made during late yesterday evening and finished in the small hours of this morning.

On a personal level, I have been trying to reach the light at the end of what has felt like a never ending tunnel of darkness, hence the lack of output for many months. Thankfully, the thoughts and sounds in my head are getting brighter and more uplifting as the days move on.

September, usually a month I dread for a few reasons, has unusually been a month of reawakening.

Using Ableton Live and a few home-made Absynth patches, this is how it all sounds to me.

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Latest release on Bandcamp – Hiemal – Free Download

Just a little announcement to let you know that my latest release ‘hiemal’ is now available to download for free from Bandcamp. Grab it while you can as Bandcamp does limit the number of free versions.

331 – Deliquesce

Here is another piece made for the Disquiet Junto project that I have been persuaded to share here also. Lots of lovely feedback about this piece has also ensured that this track is the final one on my next release (more of which will follow later today).

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329 – Ice Cycles

This piece was created for the fantastic Soundcloud Disquiet Junto project a few weeks ago. Due to the positive nature of the comments I recieved, I have decided to share it here also, as well as adding it to my next release.

Hope you like it also?

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328 – Early Bird

A restless night with lucid dreams led to my being wide awake at 6am. This piece was an attempt to make something that would help me drift back off into some kind of slumber.

The birds were beginning their dawn chorus, but I didn’t really want to have to go outside and record them, so I searched online for something I could use. The background birdsong sample used is from http://www.freesound.org/people/klankbeeld/sounds/117113/. It’s a lovely dawn recording of a Dutch village, yet it closely resembled the sounds eminating from the garden into the bedroom. This helped me stay warm, for which I am grateful, but alas sleep never returned.

Maybe it will prove useful to you as an aid, easing into these tail-end of winter mornings?

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326 – Snowfall

My creative juices are not quite as flowing as they sometimes can be so in the early hours of the morning as a light flurry of snow was settling outside, I decided to try and make something generative in Ableton Live using a Max for Live step sequencer and its randomisation feature. Just like the individual snowflakes, as each note landed and was captured the overall piece seems to have a natural feel to it.

Hope you think so too?

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